Stephen Cimini
Building on the architectural origins which have been the basis of my work for over a decade, I have started referring to my compositions as random symmetry. That is, creating a balance on the canvas with no discernible pattern allowing a symmetrical, meditative composition to emerge. I employ the golden mean as a reference which can often be seen in the composition.
I use oil paint with a cold wax medium, layering the paint, as organic surfaces evolve within the restrained lines of the composition. During the process an environment develops giving an emotional story to the thoughtfully planned out compositions. My color choices vary, sometimes deliberating creating a series with particular color decisions and sometimes allowing the color choices to impulsively appear fueled by intuition and experience. Color remains a constantly unfolding mystery.
I use oil paint with a cold wax medium, layering the paint, as organic surfaces evolve within the restrained lines of the composition. During the process an environment develops giving an emotional story to the thoughtfully planned out compositions. My color choices vary, sometimes deliberating creating a series with particular color decisions and sometimes allowing the color choices to impulsively appear fueled by intuition and experience. Color remains a constantly unfolding mystery.
Life Blood
14 x 16 x 3 inches
Oil paint, wax medium and marble dust on gallery wrapped canvas. The stretcher bars are 3'' thick and the painting continues around the edges giving an added dimension to the piece.
Oil paint, wax medium and marble dust on gallery wrapped canvas. The stretcher bars are 3'' thick and the painting continues around the edges giving an added dimension to the piece.
